Costume and Ornaments in Tibetan Drama and Dances
Costume and Ornaments in Tibetan Drama and Dances
Tibetan drama and dance drama have their own unique features and the art of the costume and ornaments applied in them are remarkable and have high artistic values. Tibetan drama began to develop in the 14th and 15th centuries and became an independent singing and performing art by the time of the fifth Dalia Lama (1617-1682). There are many schools in Tibetan drama and the ones that have been handed down belong mostly to traditional repertoire.
Tibetan drama and dance drama have their own unique features and the art of the costume and ornaments applied in them are remarkable and have high artistic values. Tibetan drama began to develop in the 14th and 15th centuries and became an independent singing and performing art by the time of the fifth Dalia Lama (1617-1682). There are many schools in Tibetan drama and the ones that have been handed down belong mostly to traditional repertoire.
The costume and ornaments of Tibetan drama smack of strong national coloring. Some of them (especially those for the aristocrats) were historically actual garment styles for the aristocrats.
Apart from the practical type, there is also the highly exaggerated theatrical costume. The stories of the drama are mostly legendary and the figures fictional, but they are for the most part derived from actual life, such as Maiden Langsa, Prince Nuosang, and Zuova Sangmu. In Tibetan Drama, there are many gods and ghosts with extreme mysteries. It is only natural that special kinds of make-ups are necessary for them.
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